Showing posts with label Jimi Hendrix. Show all posts
Showing posts with label Jimi Hendrix. Show all posts

Monday, May 07, 2007

Any Given Tuesday's Top 10 Music Icons

Owing a nod to Olympus Mons and to Nick Hornsby's High Fidelity, I present you with Any Given Tuesday's Top 10 Music Icons. These lists always spark debate, but this is what I'm giving you: the view of one Gen-Xer who has been through music from vinyl to 8-track to cassette to CD to digital.

My criteria are limited mostly to certain "I"s: Identifiability, Influence, Individuality and Inspiration.

Jimi Hendrix

1) Jimi Hendrix - His appearance at Monterey Pop changed the way guitar was heard and played forever. Suddenly, feedback was a desirable tool for guitar players to add to their repertoire.

Kurt Cobain

2) Kurt Cobain (Nirvana) - Nerdy, defiant outcast who hit in the right place at the right time. Kurt Cobain wrote really simple songs that altered the paradigm of music in the 1990s.

Elvis Presley

3) Elvis Presley - So recognizable, he is a brand. Arguably due to his race, Elvis was an 'acceptable' face for rock and roll, but nonetheless it was the King who made rock huge.

Jerry Lee Lewis

4) Jerry Lee Lewis - A flamboyant rebel and probably the coolest on this list in my eyes, the Killer is tied inextricably to Elvis, Carl Perkins, and the man in black, Johnny Cash. Piano rockers like Elton John have Jerry Lee to thank.

Marvin Gaye

5) Marvin Gaye - Broke tradition from Motown's wholesome but suffocating image and made some of the most sensual R&B of his time.

Jim Morrison

6) Jim Morrison (The Doors) - The very definition of rock star, Jim Morrison was not only wildly scandalous but unmatchedly charismatic. Morrison penned some of the most bizarre and provocative rock lyrics of his time.

Trent Reznor

7) Trent Reznor (Nine Inch Nails) - Reznor's pop sensibility helped to make him a pioneer of industrial electronica, and his magic spans three decades.

KRS-One

8) KRS-One - Still maintaining hip-hop as intelligent and culturally relevant in a positive way, KRS pens intellectual and philosophical rhymes that most popular artists can't touch.

PJ Harvey

9) PJ Harvey - Continually doing "her thing", writing blues-tinged rock songs with emotion and intensity, and maintaining her credibility as an artist.

Madonna

10) Madonna - The universal symbol for pop music, Madonna was an awakening for legions of MTV-bred music fans, continually pushing boundaries throughout her career.

Monday, February 05, 2007

Prince Rocks The Super Bowl, Somehow Becomes "The Safe Choice" For Halftime

Prince

Did you catch that 12-minute mind-blow called the Halftime Show last night? With renditions of "Let's Go Crazy", "Baby I'm A Star", "Proud Mary" (the Ike & Tina Turner version of the Creedence Clearwater Revival song), "All Along The Watchtower" (the Jimi Hendrix version of the Bob Dylan song), "Best Of You" (Foo Fighters), and "Purple Rain" (fittingly played outside in the rain, Prince wowed everyone, much more than the almost entirely lousy commercials did (I won't speak as to the game, since I know nothing of football). And it is an amazing thing when Prince can take anybody's song and play it better than they can (not a surprise with Dylan, whose songs are always better when played by other artists. Try Rage Against The Machine's version of "Maggie's Farm").

I'm still upset with the man in purple for telling me he was retiring to be a Jehovah's witness and then backtracking, but it's a good kind of upset, because otherwise I would not have been able to see him shred like that ever again!

The only downside to Prince is that he is no longer the avant-garde, risque character he was back in 1984. The Baltimore Sun has an interesting story on how Prince has evolved into a "safe" choice for the halftime show. No more "Gett Off" or "P Control" from him, but I'll settle for amazing live performances of the safe ones if that's all he's giving.